Using VR technology and found materials, this year’s Shangri-La hopes to highlight the power of community, explains creative director Kaye Dunnings.
On behalf of the US government, Span studio has created the new branding for the invasive fish species.
Alongside an animated video, the stamps aim to incorporate “vivid” colour and “lo-fi-style” typography.
Thisaway has built on its branding for the rugby competition, incorporating the U-shaped logo into the trophy design.
Wolff Olins global CEO Sairah Ashman discusses the design process, backlash and legacy of the London 2012 Olympics brand on its tenth anniversary.
As Cannes Lions 2022 comes to a close, we look at the winners of the top design prizes, including the first ever win for a Portuguese studio.
This year the designers in residence at the Design Museum were tasked with tackling climate change through their research-based projects.
As part of our coverage of 2022’s graduate season, we’re talking with a selection of graduates from around the UK about their work, practice and future plans.
The new look for the women’s fashion magazine is rooted in Brazil’s literary tradition and features a “timeless” new typeface.
A refreshed colour palette and a new bespoke typeface reflects the studio’s aim to merge past and present.
The new branding includes a varied colour palette, “flexible” typeface, and “friendly” illustrations.
It is set to run at The London Festival of Architecture and aims to offer an impartial representation of hostile architecture.
New analysis about the UK’s design economy highlights northern regions and Wales as key regions for growth.
We’re excited to announce the full Awards shortlist below. Keep an eye out for our Winners Showcase, which will be revealed later this month on the site.
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Conceived by GM’s subsidiary Cruise, the sensors would use graphics and haptic feedback to prevent in-car nausea.
The new branding centres on a bespoke typeface, which makes reference to both fishing and the company founder’s height.
Check out all the latest news from across the design industry.
The food brand’s new identity features a mischievous and unconventional tomato mascot.
Minigolf, Mogwai, and magazines dedicated to letters are some of the past month’s design stand-outs.
Mother Design is behind the new look, which includes a marine flora and fauna-inspired colour palette.
168极速赛车开奖记录查询|官网历史结果查询|极速赛车开奖官网历史|开奖官网数据|1分钟极速赛车官网计划|75秒极速赛车平台app下载-168极速赛车在线开奖官方网站 How the Pride flag was designed
Now ubiquitous, the rainbow flag once looked quite different – though it’s always had the ambitions of the LGBT community at its heart.
Lewis Moberly has created a typeface for the vegan band which targets neurodiverse consumers.
The new branding, from Wolff Olins, hopes to reflect the healthcare company’s biopharma ambitions following a demerger earlier this year.
Through tailored content and a simple colour palette, the Aura app aims to be considerate of its users’ journey through IVF.
Nav Sawhney’s design aims to provide a low-cost, lightweight option for keeping up with domestic chores.
As inflation soars, we speak to designers about how current living conditions are affecting their work and practice.
This year many graduate shows are returning as hybrid events, offering digital and in-person showcases – here is our guide to what’s on offer.
An adaptable logo takes centre stage in Oku’s visual identity from the London-based studio.
In this excerpt from Jean Jullien’s debut monograph, Raphaël Cruyt explores the illustrator’s “rough-and-ready” drawing and satirical edge.
Collins’ new branding attempts to link past and future, with a nod to the mid-20th century and sci-fi illustrations.